纺织学报 ›› 2012, Vol. 33 ›› Issue (9): 116-121.

• 染整与化学品 • 上一篇    下一篇

桐乡彩色拷花溯源及其艺术特色

盛羽   

  1. 宁波大学艺术学院
  • 收稿日期:2011-09-20 修回日期:2012-04-25 出版日期:2012-09-15 发布日期:2012-09-05
  • 通讯作者: 盛羽 E-mail:sh7201@163.com
  • 基金资助:

    浙江省社科联社科普及课题

  Tongxiang multi-color steuciling printing: history and artistic features

Yu SHENG   

  • Received:2011-09-20 Revised:2012-04-25 Online:2012-09-15 Published:2012-09-05
  • Contact: Yu SHENG E-mail:sh7201@163.com

摘要: 针对桐乡彩色拷花的工艺特点与艺术特色进行了研究分析。通过实地考察、实物分析与相关文献的整理、分析与研究,首先,在追溯彩色拷花历史源流的基础上,梳理了彩色拷花在各个历史时期的发展状况;其次在工艺方面,分析了彩色拷花的显花原理,归纳了彩色拷花的工艺流程,对刻版、练布、调色、印花、固色等五大步骤做了总结;最后在艺术方面,从造型特点、组织形式的角度对彩色拷花的艺术特色进行了研究,并从造物观与审美观入手,探讨了背后所蕴含的文化特性。

关键词: 彩色拷花, 镂版印花, 民间工艺, 桐乡

Abstract: Focus on Tongxiang multi-colour stenciling printing, Researched and analysed multi-colour stenciling printing craft features and its unique art feature. By substantive on-the-spot investigation, object analysis and summary analysis on literature, to trace the history, clean up the development status in each historical period and concludes the craft process and art features. Analyse the figure showing principle in craft, conclude the five steps as pattern hollowing, fabric refining, toning, printing and color fixing. On art, starts with art materials, colour and moral, probe into the inside Folk Features, research the craft features from the sculpt features and the structure.

Key words: multi-color stenciling printing, stencil printing, folk handicraft, Tongxiang city

中图分类号: 

  • J523.2
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