纺织学报 ›› 2008, Vol. 29 ›› Issue (9): 108-112.

• 服装工程 • 上一篇    下一篇

客家女子服饰的演变

刘运娟;陈东生;甘应进   

  1. 闽江学院服装与艺术工程系 福建福州 350108
  • 收稿日期:2007-10-10 修回日期:2008-03-22 出版日期:2008-09-15 发布日期:2008-09-15

Evolvement of the Hakkas women′s costume

LIU Yunjuan;CHEN Dongsheng;GAN Yingjin   

  1. Fashion & Art Engineering Department;Minjiang University;Fuzhou;Fujian 350108;China
  • Received:2007-10-10 Revised:2008-03-22 Online:2008-09-15 Published:2008-09-15

摘要: 从客家民系形成历史入手,以王东的"语言习俗形成说"为标志的民系形成理论为基础(即认为客家民系形成于明代中期),将客家女子服饰演变划分为3个时期并将各时期服饰形制及其特点进行归纳总结:第1时期为明代中期至清末,是客家妇女服饰形成阶段,其服装样制与中原基本一致,出现了与南方少数民族相类似的服饰特点;第2时期为清末民初的客家女子传统服饰成熟阶段,客家传统服饰样制与文化特征基本形成;第3时期从民初至20世纪中叶,为客家妇女服饰的消亡期,传统服饰与现代服饰并存。

Abstract: tarting from the history of Hakkas branch,based on Wang Dong′s viewpoint that"language formation"is the symbol of formation of Hakkas(he considers that Hakkas formed in the mid-term of Ming dynasty),it divides the history of Hakkas women′s costume into three periods,and summarizes its costume style and characteristics of each period.The first period starts from the mid-term of Ming dynasty and comes to end at the late Qing dynasty during which the Hakkas women′s costume forms and the costume style shows basically the same character with central plains and has some similar characters with the minorities of South China.The second period is between late Qing dynasty & early Republic of China when Hakkas women′s costume becomes matured and Hakkas traditional costume style and culture have formed basically.And the third period originates from early Republic of China and ends in the middle of 20th century when Hakkas women′s costume gradually dies out and the traditional costume coexists with the modern costume.

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