纺织学报 ›› 2008, Vol. 29 ›› Issue (1): 107-109.

• 服装工程 • 上一篇    下一篇

浙江畲族近代女子盛装审美艺术

吴微微;陈良雨   

  1. 浙江理工大学服装学院 浙江杭州310018
  • 收稿日期:2006-06-27 修回日期:2006-11-10 出版日期:2008-01-15 发布日期:2008-01-15

Aesthetics and art of Shes′ modern women formal dress in Zhejiang

WU Weiwei;CHEN Liangyu   

  1. College of Fashion;Zhejiang Sci-Tech University;Hangzhou;Zhejiang 310018;China
  • Received:2006-06-27 Revised:2006-11-10 Online:2008-01-15 Published:2008-01-15

摘要: 通过对浙江畲族地区十多个畲族乡镇的田野调查和相关文献资料的研究,从形式层原始积淀,形象层艺术积淀,意会层生活积淀3个层面宏观地探析浙江畲族近代女子盛装所蕴涵的审美艺术。指出:人类共通的早期形式美同样存在于畲族近代女子盛装中的色彩喜好、构图及造型之中;畲族近代女子盛装拥有图腾同化、宗教感悟、求吉驱邪等象征功能,以及作为表现畲民族审美艺术和追求的装饰性作用;畲族近代女子盛装在形态、色彩、纹样、材质等方面所呈现的质朴、旷野、率真、美好等艺术气息及诸多美学特征,是畲族的生命感受和社会氛围的积淀,是畲族先民的审美艺术和情感即历史和心理意识得以在盛装中的体现和延续。

Abstract: Through on-the-spot investigation in countrysides and towns in Zhejiang Shes area and research on the related historical documents,this paper macroscopically reveals and discusses aesthetics and art of Shes′ modern women formal dress in Zhejiang from three perspectives,i.e.,lay of form—primitive accumulation,lay of image—art accumulation,and lay of intuition—life accumulation.It points out the early common formal aesthetics of the human can also be found in color preference,constructions and patterns of Shes′modern women formal dress;the dress has the symbol′s function of totem assimilation,religion sentiment and exorcism as well as ornamental function of aesthetic art;the form,color,pattern and texture of formal dress represent the esthetics character about simplicity,straightforward and goodliness,which are the accumulation of life sentiment and social atmosphere.The formal dress is embodiment and continuity of Shes′aesthetic art,mentality and consciousness.

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